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                  Dottie GeisertDevelopment of the Portrait in Black and White
 Euclid Art Association
 Saturday, 
                  October 28, 2017
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                 On 
                Saturday, October 28, 2017, the Euclid Art Association held a 
                "Development of the Portrait in Black and White" workshop by 
                local, award winning artist and member, Dottie Geisert.  
                It may have been a rainy and dreary Saturday and everyone came 
                bundled up, but once inside the Gallery (on the 2nd floor of the 
                Euclid History Museum), things warmed up quickly.  There 
                was lots of coffee and tea flowing.  Brownies, pumpkin roll 
                and veggies with dip kept the 17 participating artists fueled 
                and warm. 
 Dottie opened the workshop with an hour of instruction, going 
                over her procedure for developing a portrait.
  Her 
                students watched as she demonstrated, by drawing, Kristin, her 
                "live" model.  Throughout, Dottie gave students several 
                things to think about, and tips on how to approach the drawing 
                of a "live" model.  The mantra for the day became, 
                "wherever there is a quick change in surface, there is a light".  
                Another tip from Dottie - "look for shapes in the face, not 
                actual features."  After Dottie had explained the several 
                types of charcoal and when to use them, it was time for her 
                students to start drawing! 
 Initially the model posed for 20 minutes while everyone did 
                their best to draw her.  Some students even took photos of 
                the model with their phones and iPads in order to help with 
                drawing the details.  Dottie walked around to each student 
                to give them the personal attention they needed to improve their 
                drawings.
 
 In the afternoon, Dottie provided additional instructions 
                concerning values, where the light source is coming from, and 
                how it will affect the portrait.  She used her pastel 
                drawing of an old woman to make several important points.  
                There were many 20 and 40-minute poses throughout the day, 
                giving the artists opportunities to draw the model from various 
                poses.  It was amazing how still Kristin sat for each pose.  
                As the day progressed, student confidence grew and the drawings 
                reflected it.  Dottie was thrilled with their progress.  
                The students enjoyed the workshop so much that they asked Dottie 
                how soon she would have another one!
 
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